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飞屋环游记观后感英文(3)
屋环游记的英文观后感4The film - which was written by Bob Peterson (Finding Nemo, Ratatouille) and directed by Peter Docter (Monsters, Inc.) - delivers all the things we’ve come to expect from a Pixar animated feature: gorgeous visuals, a strong story rife with moral lessons and (gasp) good character development; humor both low-brow (for the kids) and high-brow (for the grownups), with strokes of bold wit and a dash of sagely wisdom for good measure.
And yet, UP also delivers something quite unexpected: Pixar’s most adult-oriented story yet, slyly disguised in a fantastic adventure tale.
UP tells the life story of Carl Fredricksen (the unmistakable voice of Ed Asner), a shy little boy who grows up in (1930s?) America, an era in which people pack into movie theaters to watch news reels about adventurous explorers like Charles Muntz, who travels the world on one epic quest after the next.
Young Carl Fredricksen idolizes Muntz: He spends his lonely days roaming his neighborhood pretending to be Muntz until one day he runs into Ellie, an energetic and fearless young girl (everything Carl is not) who idolizes Charles Muntz just as much as Carl does. Ellie and Carl cross their hearts then and there and swear to be great adventurers like Charles Muntz, and with that oath, theirs is a match made in heaven.
After that fateful first encounter, we get a truly beautiful montage of Carl and Ellie’s life-long romance. We see the young kids grow into a teenage couple; see them get married and buy a house, working day jobs (balloon vendor) while saving up for the kind of adventures they fantasized about as kids. We watch the couple deal with the ups and downs, joys and tragedies of life; and gradually we watch them grow into old age, Ellie’s “My Adventures” scrapbook still unfilled, even as her time on Earth ends.
With Ellie gone, Carl becomes a disgruntled old man desperately trying to hold on to a house, heirlooms and a lost-love he cherishes. A physical confrontation with neighborhood developers leads to Carl being forced into a retirement home for the rest of his days - but before the old man will give in he decides to honor the oath he and Ellie swore as kids and take one last shot at adventure! Carl ties an impossible number of balloons to his house (working a balloon cart at the zoo was his job for many years), rigs a steering system and UP he goes!
执着,信任,希望和爱,是皮克斯电影里永恒的主题,它们并不是要告诉人们这些理念有多么伟大,而是让观众随着主人公们的经历一起重新理解这些被过分滥用甚至扭曲,但却无时无刻不在左右我们生活的人性。这份真诚,不会让人失望的。
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
主演: 卡尔(Carl Fredricksen)卡尔(Carl Fredricksen)假小子艾丽(Ellie) 小男孩小罗(Russell)
查尔斯·蒙兹(Charles Muntz) 凯文(Kevin)
剧情简介
小男孩卡尔(Carl Fredricksen)怀揣着对于冒险的热爱偶遇假小子艾丽(Ellie),而艾丽把整个屋子当成一艘大飞船游戏居然使他对这个女孩子有些着迷,相同的爱好最终使两个人成为了一生的爱侣。
他们有一个梦想,那就是有朝一日要去南美洲的“仙境瀑布”探险,但直到艾丽去世,这个梦想也未能实现。终于有一天,曾经专卖气球的老人卡尔居然用五颜六色的气球拽着他的房子飞上了天空,他决定要去实现他们未曾实现的梦想。令卡尔始料不及的是,门廊居然搭上了一个自称是“荒野开拓者”的小男孩小罗 (Russell),小罗的喋喋不休让卡尔对这个小胖墩格外讨厌。
一老一少在飞行中经过了千难万险终于看到了传说中的“仙境瀑布”,在相处过程中卡尔发现小罗其实是个惹人怜爱的孩子。在步行穿越一座森林时,他们遇到了不会飞的大鸟凯文(Kevin)和一只会说话的狗狗逗逗(Dug),让老人惊讶... (展开全部) 小男孩卡尔(Carl Fredricksen)怀揣着对于冒险的热爱偶遇假小子艾丽(Ellie),而艾丽把整个屋子当成一艘大飞船游戏居然使他对这个女孩子有些着迷,相同的爱好最终使两个人成为了一生的爱侣。
他们有一个梦想,那就是有朝一日要去南美洲的“仙境瀑布”探险,但直到艾丽去世,这个梦想也未能实现。终于有一天,曾经专卖气球的老人卡尔居然用五颜六色的气球拽着他的房子飞上了天空,他决定要去实现他们未曾实现的梦想。令卡尔始料不及的是,门廊居然搭上了一个自称是“荒野开拓者”的小男孩小罗 (Russell),小罗的喋喋不休让卡尔对这个小胖墩格外讨厌。
一老一少在飞行中经过了千难万险终于看到了传说中的“仙境瀑布”,在相处过程中卡尔发现小罗其实是个惹人怜爱的孩子。在步行穿越一座森林时,他们遇到了不会飞的大鸟凯文(Kevin)和一只会说话的狗狗逗逗(Dug),让老人惊讶的是他们还遇到了他少年的崇拜偶像——探险家查尔斯·蒙兹 (Charles Muntz),而且他发现蒙兹居然是一个为达目的不择手段的坏人。这时,老人离自己的梦想之地只有一步之遥……
美国影片与中国影片最大的不同就是从不说教,但却会让你感动,感悟,会人性,对人生,对生活,乃至对世界的大的价值观有一种正确的认同。正义,环保,以及爱情和感情,总是在影片中一点一滴的让你接受。反观我们的影片,总是以一种愚蠢的高高在上的姿态,告诉我们,该怎样,不该怎样,特别是总是要把爱党、爱国、爱人民挂在嘴上,这不但收不到效果,反而更让人反感。刨除社会意识形态,世界各国人民大的价值观是趋同的,都是向往民主democracy、自由、正义、和平。不得不承认,西方文化对这方面研究运用的很娴熟consummate,他们注重细节,通过细节来潜移默化be imperceptibly influenced by的传递出自己的价值观,而且让你不由自主的接受这种价值观。《飞屋环游记》里的每一个场景,每个对白都是那么精心,那么认真。男主人公自己独居后,所住的房子成了房地产开发商眼中的钉子户,开发商特意设计成穿着黑西服Western-style clothes,看不到眼睛的黑势力形象的人物,开发商手下的人不得不想办法让老人搬走,但却设计的很温情,同情老人,而且还变相的帮助老人。这样的场景影片中很多,看起来那么温情,真实。
每个人都有梦想,影片的主线就是实现梦想,并由梦想清醒过来,维护正义的一个过程的展示。看起来可亲,愉悦,温情。但在片中我看到了人性的良善,看到了成长,看到了正义战胜邪恶。这些就够了,呵呵,有机会朋友们也看看吧,别以为只不过是一部动画片,我相信你也会被感动的。
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