精选大学英语作文汇总七篇
在日常学习、工作抑或是生活中，大家都写过作文，肯定对各类作文都很熟悉吧，作文是由文字组成，经过人的思想考虑，通过语言组织来表达一个主题意义的文体。如何写一篇有思想、有文采的作文呢？下面是小编收集整理的大学英语作文7篇，希望对大家有所帮助。
大学英语作文 篇1
Nowadays, Internet has become an indispensable part in our life, and we use it for various purposes, such as searching useful information and chatting online. However, now more and more people turn to the Internet for help whenever they have trouble in finding solutions to their problems, and this phenomenon has aroused the public's attention.
Relying on the Internet to solve all our difficulties can have bad impacts on us. On one hand, since we can always settle the troubles by searching solutions online, we can become very lazy and don't bother to think up answers by ourselves, which can hinder the development of creative thinking. On the other hand, the answers online may be inaccurate or wrong. If we use them without thinking the credibility of them, we may make serious mistakes someday.
As far as I'm concerned, we shouldn't completely depend on the Internet to settle problems. When we come across some difficulties, we’d better try our best to find possible solutions. If we make great efforts and still can't come up with an answer, then we can surf online to search solutions. But we should question the correctness of these answers before we adopt them.
大学英语作文 篇2
My View on Job-Hopping
Many people are inclined to do one job in their lives. In their opinions, people who change their jobs frequently are superficial and tactless. They believe that the only way to success is to stick to one job, for constant practice in a professional field helps make an txpert.
But there are still many people who don’t agree. They argue that change means progress. If you are not satisfied with your present job, of course you have the right to replace it with a more challenging and better paid one. Every change is a step to further success. This idea may be. the reason why they change their jobs so often.
For my part, I think it reasonable to change your job if you have a better opportuniry. But once you have found a position where you can fully display your ability, it is advisable to settle down to it and put all your efforts into it. Only in this way, can you get the true joy of achieving your goal.
我对更换职业的看法
许多人喜好终身从事一种工作。他们看来，经常更换职业的人浅薄，不老练。他们认为成功之道是终守一职，因为在自己的业务领域中反复实践有助于成才。
但是，也有许多人不同意以上观点，他们认为变更就是进步。如果你不满意目前的工作，当然你有权力换一个更具挑战性的，待遇更好的工作。每一次更换就会向着更加成功迈进一步。这种观点也许是他们不断更换职业的原因。
就我而言，我认为若有更好的机会，更换一下职业是合情合理的`。但是，一日找到一份你能展示你的才干的职业，就该专心致志把它做好。只有如此，你才能真正享受到取得成就的欢乐。
大学英语作文 篇3
From the various houses we can see candlelight but no electricity. There's a quiet that blankets the whole area, disturbed only by the almost whispered of the people as they stand around. CHARLIE stares across at GOODMAN's house.
Sally (a little timid): It doesn't seem right, though, keeping watch on them. Why, he was right when he said he was one of our neighbors. Why, I've known Ethel Goodman ever since they moved in. We've been good friends—
Charlie: That doesn't prove a thing. Any guy who'd spend his time looking up at the sky early in the morning—well, there's something wrong with that person. Maybe under normal circumstances we could let it go by, but these aren't normal circumstances.
(STEVE, from several yards away, walks down the steps of his porch, and down the street over to LES GOODMAN's house. He stops at the foot of the steps. GOODMAN stands there. MRS. GOODMAN stands behind him, very frightened.)
Goodman: Just stay right where you are, Steve. We don't want any trouble, but this time if anybody sets foot on my porch—that's what they're going to get—trouble!
Steve: Look, Les—
Goodman: I've already explained to you people. I don't sleep very well at night sometimes. I get up and I take a walk and I look up at the sky. I look at the stars! Mrs.
Goodman: That's exactly what he does. Why, this whole thing, it's... it's madness.
Steve (nods): That's exactly what it is—some kind of madness.
Charlie's voice (shrill, from across the street): You'd better watch who you're seen with, Steve! Until we get this all straightened out, you aren't exactly above suspicion yourself.
Steve (whirling around toward him): Or you, Charlie. Or any of us. From age eight and up!
Woman: What I'd like to know is—what are we going to do? Just stand around here all night?
Charlie: There's nothin' else we can do!
Steve (raising his voice): There's something you can do, Charlie. You could go
home and keep your mouth shut. You could quit walking around like a self-appointed hanging judge and just climb into bed and forget it.
Charlie: You sound real anxious to have that happen, Steve. I think we'd better keep our eye on you, too!
Don: I think everything might as well come out now. (He turns toward STEVE.)
Your wife's done plenty of talking, Steve, about how odd you are!
Charlie (picking this up, his eyes widening): Go ahead, tell us what she's said.
(STEVE walks toward them from across the street.)
Steve: Go ahead, what's my wife said? Let's get it all out. Let's pick out every unusual habit of every single man, woman, and child on the street. And then we might as well set up some kind of a kangaroo court. How about a firing squad at dawn, Charlie, so we can get rid of all the suspects?
Don: There's no need getting so upset, Steve. It's just that... well... Myra's talked about how there's been plenty of nights you spent hours down in your basement workin' on some kind of radio.
(By this time STEVE has reached the group. He stands there defiantly close to them.)
Charlie: Go ahead, Steve. What kind of "radio set" are you workin'on? Who do you talk to on the radio set? And who talks to you?
Steve: I'm surprised at you, Charlie. How come you're so dense all of a sudden? (a pause) Who do I talk to? I talk to monsters from outer space. I talk to three—headed green men who fly over here in what look like meteors.
(MRS. BRAND steps down from the porch, bites her lip, calls out.)
Mrs. Brand: Steve! Steve, please. (Then looking around frightened, she walks to ward the group.) It's just a ham radio set. A lot of people have them. I can show it to you. It's right down in the basement.
Steve (whirls around toward her): Show them nothing! If they want to look inside our house—let them get a search warrant.
Charlie: Look, man, you can't afford to—
Steve (interrupting): Don't start telling me who's dangerous and who isn't, and who's safe and who's a menace. (He turns to the group and shouts.) And you're with him, too—all of you! You're standing here all set to find a scapegoat—all desperate to point a finger at a neighbor! Well now, look, friends, the only thing that's going to happen is that we'll eat each other up alive—
(He stops abruptly as CHARLIE suddenly grabs his arm.)
Charlie (in a hushed voice): That's not the only thing that can happen to us. (A figure suddenly materializes in the darkness. In the silence we can hear the slow, measured footsteps on concrete as the figure walks slowly toward them. One of the women lets out a stifled cry.)
Tommy (shouting, frightened): It's the monster! It's the monster!
(The people fall back in a group, staring toward the darkness and the approaching figure. DON MARTIN joins them, carrying a shotgun. He holds it up.)
Don: We may need this.
Steve: A shotgun? (He pulls it out of DON 's hand.) Will you people wise up? What good would a shotgun do against—
(CHARLIE pulls the gun from STEVE's hand.)
Charlie: No more talk, Steve. You're going to talk us into a grave! You'd let whatever's out there walk right over us, wouldn't you? Well, some of us won't!
(He swings the gun around to point it toward the sidewalk. The dark figure continues to walk toward them. CHARLIE slowly raises the gun. As the figure gets closer, he pulls the trigger. The sound explodes in the stillness. The figure lets out a small cry, falls forward first onto his knees, and then on his face. DON, CHARLIE, and STEVE run over to him. STEVE is there first and turns the man over. The crowd gathers around them.)
Steve (slowly looks up): It's Pete Van Horn.
Don (in a hushed voice): Pete Van Horn! He was just going to go over to the next block to see if the power was on.
Woman: You killed him, Charlie. You shot him dead!
Charlie (looks around at the circle of faces, his eyes frightened): But. . . but I didn't know who he was. I certainly didn't know who he was. He comes walkin' out of the darkness—how am I supposed to know who he was? (He grabs STEVE.) Steve—you know why I shot! How was I supposed to know he wasn't a monster or something?
(He grabs DON.) We're all scared of the same thing. I was just tryin'to. . . tryin'to protect my home, that's all! (He looks down wildly at the body.) I didn't know it was somebody we knew! I didn't know...
(There 's a sudden hush in the group. Across the street all the lights go on in one of the houses.)
Woman (in a very hushed voice): Charlie... Charlie... the lights just went on in your house. Why did the lights go on?
Don: What about it, Charlie? How come you're the only one with lights now?
Goodman: That's what I'd like to know.
(There's a pause as they all stare toward CHARLIE.)
Goodman: You were so quick to kill, Charlie, and you were so quick to tell us who we had to be careful of. Well, maybe you had to kill. Maybe Pete there was trying to tell us something, to tell us who there was amongst us we should watch out for—
(CHARLIE backs away from the group, his eyes wide with fright.)
Charlie: No... no...it's nothing of the sort! I don't know why the lights are on. I swear I don't. Somebody's making a joke or something.
(He bumps against STEVE, who grabs him and furns him around.)
Steve: A joke? Charlie, there's a dead man on the sidewalk, and you killed him!
Does this thing look like a gag to you?
(CHARLIE breaks away and screams as he runs toward his house.)
(A man breaks away from the crowd to run after CHARLIE. The man tackles him and lands on top of him. The other people start to run toward them. CHARLIE gets up on his feet, breaks away from the other man's grasp and jumps up on his front porch. A rock thrown from the group smashes a window alongside of him. The broken glass flies past him. A couple of pieces cut him. He stands there, blood running down from a cut on his cheek. His wife breaks away from the group and throws herself into his arms. We can see the crowd moving in on the porch.)
First Voice: It must have been him.
Second Voice: He's the one.
Third Voice: We've got to get Charlie.
(Another rock lands on the porch. CHARLIE pushes his wife behind him and faces the group.)
Charlie: Look, look, I swear to you... it isn't me... but I do know who it is. I swear to you. I know who the monster is here.
Don: All right, Charlie, let's hear it!
Second Man (screaming): Go ahead, Charlie; tell us.
Charlie: It's...it's the kid. It's Tommy.
Sally: That's crazy. He's only a boy.
Woman: But he knew! He was the only one who knew! He told us all about it. Well, how could he have known?
(People in the crowd take this up and repeat the question aloud.)
First Voice: How could he know?
Second Voice: Who told him?
Third Voice: Make the kid answer.
(Sally grabs TOMMY and starts to run with him. The crowd starts to follow, at first walking fast, and then running after them. Suddenly CHARLIE's lights go off, and the lights in another house go on.)
Man (shouting): It isn't the kid...it's Bob Weaver's house.
Woman: No, it's Don Martin's place.
Charlie: I tell you it's the kid.
Don: It's Charlie. He's the one.
(Various people shout, accuse each other, scream. House lights go on and off.)
Scene Two
In a nearby field sits a space craft in darkness. An open door throws out a beam of light from the inside. Two figures appear.
First Figure: Understand the procedure now? Just stop a few of their machines and radios and telephones and lawn mowers... throw them into darkness for a few hours, and then just sit back and watch the effect.
Second Figure: And this effect is always the same?
First Figure: With little difference. They pick the most dangerous enemy they can find. . .and it's themselves.
Second Figure: Then I take it this place...this Maple Street...is not an exception.
First Figure: By no means. Their world is full of Maple Streets. And we 'll go from one to the other and let them destroy themselves. One to the other...one to the other...one to the other...
各家各户都亮起了蜡烛，没有电。寂静笼罩了整个社区，只能听到人们站在那里小声说话的声音。夏利的目光越过街道，盯着古德曼的房屋。
萨莉（有点儿害怕）：看起来不对劲儿，盯紧他们。为什么，他说他是我们的邻居，这是对的？为什么，从他们搬来我就了解埃塞尔.古德曼的，我们一直是好朋友...
夏利：这说明不了什么。这个总是大清早盯着天空看的家伙...他有点儿问题。或许一般情况下我们会忽略这一点，但是现在不正常。
（史蒂夫从几码之外走下门廊的台阶，沿街走到勒思.古德曼的房前，他在台阶前停下来。古德曼站在那里，古德曼夫人害怕地站在他身后。）
古德曼：就站在那里别动，史蒂夫。我们不想有什么麻烦，但是这次如果有人踏上我家门廊...他就会有麻烦的！
史蒂夫：听着，勒思...
古德曼：我已经跟你们解释了，有时候晚上睡不好，我会起来散步，看看天空，我看的是星星！夫人。
史蒂夫（点头）：确实是...有点疯狂。
夏利的声音（尖叫，从街对面传过来）：你最好清楚大家是怎么看待你的，史蒂夫！在所有的事情澄清之前，你根本不是无可怀疑的！
史蒂夫（转向他）：或者是你，或者我们中的哪个，八岁以上的哪个人！
妇女：我想知道的是--我们在这里做什么？站一整夜吗？
夏利：除此之外没什么可做的！
史蒂夫（抬高嗓音）：你有事做的，夏利。你可以回家，闭上嘴。你可以像个自己做主判处绞刑的法官那样爬到床上，忘掉这件事。
夏利：看来你真的希望这样，史蒂夫。我想我们最好也盯住你！
顿：我希望最好现在就真相大白。（他转向史蒂夫。）你妻子总说你如何的古怪！
夏利（听到这里，他瞪大双眼）：快说，她怎么说的！
（史蒂夫从街对面走向人群。）
史蒂夫：说，我妻子怎么说的？一切都说清楚，让我们找出街上每个男人、女人、孩子的不寻常的习惯。我们还可以设立个私设法庭之类的。天亮时成立个行刑队怎么样，夏利？这样我们就可以免受怀疑?
顿：没必要这么紧张，史蒂夫。只是...麦拉很多个晚上你总在地下室摆弄些无线电什么的。
（这时史蒂夫走到人群跟前，挑战地站在他们面前。）
夏利：说吧，史蒂夫。你在摆弄哪种“无线电”呢？你在无线电里跟谁说话呢？谁在跟你说话呢？
史蒂夫：我对你感到吃惊，夏利。你怎么突然变得这么愚蠢呢？（顿了下）谁跟我说话？我在跟太空的怪物说话，我跟三个...飞来的绿色脑袋、流星一样的人说话。
（布兰德夫人从门廊上走下，咬了下嘴唇，叫道。）
布兰德夫人：史蒂夫，史蒂夫，请...（她害怕地看着四周，避开人群。）那只是个业务无线电，很多人都有的，我可以给你们看，就在地下室里。
史蒂夫（转向妻子）：什么都不要给他们看！如果他们想看我们的房间...让他们拿搜索证来。
夏利：看，家伙，你承担不起...
史蒂夫（打断他的话）：不要告诉我谁危险，谁不危险，谁是安全的，谁是威胁。（他转向人群，叫道。）你们跟他一样---所有的人都是！你们站在那里只是找一个替罪羊...拼命地在邻居间找一个人出来！现在，看吧，朋友们，唯一要发生的事就是，我们要相互咬死对方...
（夏利猛地抓住他的胳膊，史蒂夫突然停下来。）
夏利（低声地）：这不是唯一要发生的事。（黑暗中突然出现一个人影，人影慢慢走进时，寂静中人们听到水泥地上的缓慢、有规律的脚步声，一个妇女发出一声被抑制的叫声。）
汤米（害怕地叫）：是怪物，怪物！
（人群往后退，盯着黑暗中走来的人影。顿.马丁带上一支，加入人群，他举起枪。）
顿：我们可能需要这个。
史蒂夫：？（他把枪从顿手中夺过来。）你脑子昏了吗？枪怎么能用来打...
（夏利从史蒂夫手中夺过枪。）
夏利：别说话，史蒂夫。你会把我们弄死的！你会让任何不明的东西逼近我们吗？我们有的人不会的！
（他摆动枪，对准人行道。黑色人影继续走向人群。夏利慢慢举起枪，人影走近时，他开动扳机。枪声在寂静中响起。人影发出轻微的呼叫，膝盖首先着地，然后是脸。顿，夏利和史蒂夫跑上前。史蒂夫第一个把这个人翻过身，人群把他们围起。）
史蒂夫（慢慢地看了看）：是皮特.范.合恩。
顿（小声地说）：皮特.范.合恩！他只是去临近街区看有没有电。
妇女：你杀了他，夏利，你杀死了他！
夏利（看看四周的面孔，眼神中露出害怕的神情来）：但是...我不知道是谁。我当然不知道他是谁。他从黑暗中走来...我怎么能知道他是谁呢？（他抓住史蒂夫。）史蒂夫--你知道我为什么开枪的！为什么我会认为他不是怪兽什么的呢？
（他抓住顿。）我们都害怕同一样东西。我只是想试图...试图保护我的家，就是这样！（他疯狂地看着地下的尸体。）我不知道是我认识的人！我不知道...
（人群突然安静下来，街对面一家的每个灯都亮起来。）
妇女（低声说）：夏利...夏利...你家的灯亮了。为什么会亮呢？
顿：怎么回事，夏利？为什么只有你家的灯亮了？
古德曼：我也想知道这个。
（顿时人们盯着夏利。）
古德曼：你下手这么快，夏利，你这么快就告诉我们应该提防谁。或许你不得不杀人，或许皮特想告诉我们什么，告诉我们应该提防我们中的哪个人---
（夏利后退几步，眼睛睁大，满是恐惧。）
夏利：不...不...根本没这回事！我不知道灯为什么会亮？我发誓我不知道。有人在开玩笑什么的。
史蒂夫：玩笑？夏利，人行道上有人死人，使你杀的！你是在杀人灭口吗？
（夏利突然挣脱开，尖叫着冲回家去。）
（一个人从人群中跑开，追向夏利。他扭住夏利，把他推到在地。其他的人向他们跑过来，夏利从地上站起，挣脱另一个人，跳向他家前门廊。人群中扔出的石头打碎了他
旁边的窗子，碎裂的玻璃从他身旁飞过，几个碎片划伤了他。他站在那里，鲜血从脸上的伤口留下。他的妻子从人群中跑出来，扑向他的怀抱。人群向门廊走来。）
第一个声音：肯定是他！
第二个声音：就是他！
第三个声音：我们抓住夏利了。
（另一块石头扔到门廊上，夏利把妻子拉到身后，自己面对着人群。）
夏利：听着，听着，我对你们发誓...不是我...但是我确实知道是谁。我对你们发誓。我知道这里谁是怪物。
顿：好的，夏利，说来听听！
第二个男人（尖叫）：说吧，夏利，告诉我们。
夏利：是...是这个孩子。汤米！
萨莉：你疯了，他只是个孩子！
妇女：但是他知道！只有他知道！他告诉我们一切，他怎么知道的呢？
（人们听到这里，再一次大声反复地问。）
第一个声音：他怎么知道的？
第二个声音：谁告诉他的？
第三个声音：让这小孩说话！
（萨莉抓住汤米，开始跟他一起跑。人群开始追起来，起初跑得很快，后来就被甩在后面。突然夏利家的灯熄了，另一家的灯亮了。）
男人（大叫）：不是小孩家的...是鲍勃.韦弗家的。
妇女：不，是顿.马丁家的。
夏利：我告诉你是这小孩家的。
顿：是夏利，就是他。
（很多人大叫起来，互相指责着，尖叫着，房子里的灯亮了又熄了。）
场景二
附近黑暗中的田野里，是一艘宇宙飞船，一束光从一个打开的门中射出，两个身影出现了。
第一个身影：现在知道程序了吗？只要停掉他们的少数机器、收音机、电话和割草机...让他们在黑暗中呆上几个小时，然后坐在这里看结果吧。
第二个身影：结果总是一样的吗？
第一个身影：会有一点儿区别。他们找出能找到的最危险的敌人...就是他们自己。
第二个身影：那么我觉得这里...枫树街...并不是个例外。
第一个身影：根本不是。这个世界到处都是枫树街这样的地方。我们将去一个又一个地方，让他们自己毁掉自己。一个又一个...一个又一个...一个又一个...
1.frightened adj. 受惊的, 受恐吓的
例句：
Frightened children were calling for their mothers.
受惊的`孩子们呼喊著找妈妈。
2.self-appointed adj.自己作主的; 自行推荐[任命]的; 自封的
例句：
A leader is not self-appointed. His leadership has to be accepted and approved by the masses.
领导不是自封的，要看群众承认不承认，批准不批准。
3.kangaroo court n.私设之法庭, 非法法庭
例句：
To the people who refused to go on strike, the most difficult part of their decision was the possibility that they would later be subject to the union's kangaroo court.
对于那些拒绝参加罢工的人来说，他们这一决定最麻烦的地方是，他们以后可能受到工会袋鼠法庭的审判。
4.firing squad n. 行刑队，执行死刑的射击队
例句：
The condemned man faced the firing squad with dignity;
那个被宣布有罪的人大义凛然的面对着行刑的队伍；
5.meteor n. 流星,大气现象,一夜成名的人
例句：
A meteor shot across the sky.
流星划过天空.
6.materialize v. 赋与实质,使体现,物质化; 成有形,体现,实现
例句：
A truck suddenly materialized out of the fog.
一辆卡车突然驶出烟雾。
7.measured adj. 量过的,慎重的,基于标准的
例句：
march in measured steps
用整齐的步伐行进
8.stifle v. 使不能呼吸,窒息,抑制
例句：
Our ideas were stifled.
我们的意见被压了下来。
9.tackle v. 处理,抓住
例句：
Some people tackle the difficult jobs first.
有的人爱先做难做的工作。
1.straighten out v.改正, 清理, 澄清
例句：
He got it all screwed up, it will take a week to straighten out the mess.
他把事情全搞坏了，要花一星期时间才能把这一团糟的局面整理出头绪来。
2.set foot on v.踏上
例句：
Nobody has ever set foot on that island.
没有人曾经登上过那个岛屿。
3.above suspicion adj. 无可怀疑(毫无可疑)
例句：
My conduct has always been above suspicion.
我的行为从来就是无可置疑的。
4.may as well 最好
例句：
Since it is raining hard, you may as well stay here as leave.
既然雨下得这么大，你与其离开倒不如待在这儿。
5.keep an eye on 留意,照看
例句：
Because we always keep an eye on the East European market.
因为我们总是注意着东欧的市场。
6.all of a sudden adv.突然
例句：
All of a sudden he stopped.
他突然停了下来。
7.can't afford to 负担不起
例句：
Most people can't afford to go to the expensive entertainment places.
多数人不敢问津高档娱乐场所。
8.wise up vt. 知道(意识到)
例句：
It's about time he wised up to the fact that people think his behaviour is ridiculous.
他早就该明白大家都认为他很荒唐.
9.how come...? 怎么会...的?
例句：
How come are you late?
你为什么来晚了？
10.throw out v.伸出, 扔掉, 说出, 派出, 放出, 使出局, 使突出, 显示
例句：
They were determined to throw out the reactionary government.
他们决心把反动政府赶下台。
大学英语作文 篇4
In the picture above, a child flies from one cage to the other cage like a bird.One cage is named school, and the other is named cram school. What a sarcastic picture. There is no freedom left for the children who cannot enjoy the supposed cheerful vacation.
Why cannot the children enjoy the vacation that belongs to them Who push the children from one cage to the other What should we do to help the trapped children The three questions solved, the above picture will not exist any more. The answer to the first question is hidden with the superficial one being acquiring more knowledge, and the fundamental one is that parents demand more scores from their children. They expect their children to be able to score more through attending various cram schools at the cost of their children’s supposedly splendid vocation. So it is the parents who pursue quick success that push the children from one cage to the other. To free the children, the parents should put emphasis on the children’s physical and mental health rather than the score.
As is known to all that pursuit of high scores has long been a phenomenon in China, the cause of this phenomenon is hard to be uprooted. Therefore, we should emancipate the children in the mind and return the joy of childhood to children gradually.
大学英语作文 篇5
大学四级考试写作的评分依据是：文章切切题，条理清楚，语言准确和字数符合要求。所谓切题就是看你写的作文跑不跑题。所谓条理是每一段的议论的正反清楚，描述的时间正确。语言准确要求作文的语法词汇使用正确，符合英语表达习惯。四级作文的字数要求不少于100字。针对四级考试的作文要求我们提出十二句作文法，这里所说的十二句作文法不仅包括一般英文写作的方法而且包括一套行之有效的写作方法。它的具体内容有以下几点。
一 审题我们拿到作文后第一件要做的事就是审题。审题的作用在于使你写作不跑题（如果跑题，条理和语言再好，也得不到及格分，甚至0分。）那末审题要审什麽呢？
1．体裁（议论文，说明文，描述文）
审题就是要审作文的题材和体裁。因为什末样的体裁就会用什末样的题材去写。那末体裁包括那些呢？它包括议论文，说明文和描述文。从近些年看，四级作文不是单一的体裁，而是几种体裁的杂合体。例如：
Directions: For this part ,your are allowed 30 minutes to write a composition on the topic Trying to Be A Good University Student .You should write at least 100 words and you should base your composition on the outline (given in Chinese ) below :
做合格大学生的必要性
做合格大学生的必备条件（可以从德智体方面谈）
我计划这样做
很多人说这种类型的作文是议论文。这是片面的，因为，第一段要求写“...必要性”，这说明本段体裁是议论文；第二段要求写“...必备条件”，这说明本段要求写说明文；儿地三段要求写“...这样做”，这说明本段要求写描述文。所以在大多数情形下，四级作文是三种体裁的杂合体。
2．根据不同体裁确定写作方法
我们审题的目的就是根据不同体裁确定不同的写作方法。通过审题，我们可以看出四级作文大都是三段式。如上例第一段为议论体，第二段为说明体，地三段为描述体。而各种文体又不同的写作方式：
议论文；要有论点和论据，而且往往从正反两方面来论述。例如上面第一段的思路是：做合格大学生，会怎末样（这是从正面论述）；不能做合格的大学生，会怎末样（从反面论述）；所以我们要做合格的大学生（结伦）。
说明文：可以从几方面或几条来说明一个问题，就上作文而言，可以从方面（德智体）来说明合格大学生的必要性。
描述文：一“人”为中心描述一个“做”的过程。与上两段相比，本段的主语多为人称代词，他要与第二段相互应进行描述。
二 确定主题句
通过审题，我们知道该如何确定正确的写作思路。下边我们就谈如何些。第一部就是要写主题句。主题句是确保不跑题的前提，只有不跑题才有可得及格分。写主题句嘴保险的方法就是把中文提纲的各句译成英语。例如上述三段主题句分别为：
It is very necessary to be a good university student . （议论体的`主题句）
There are several respects of necessities to be a good university student .（说明体的主题句）
What I will do in the future is the following .(描述体主题句)
如果要求句是英语就可以把它变成主题句，例如这样一篇作文：
Good Health
Importance of good health
Ways to keep fit
My own practice
这样的作文的要求句就可以扩充成主题句。扩充后三段的主题句分别为：
It is very important to have good health .（将名词 importance变成形容词important）
There are four ways to keep fit for me .（用 there be 句型）
My own practices are the following .（采用原词）
三 确保文章条理清楚
保证不跑提示写作当中第一任务，第二个重要任务就是要做到条理清楚。对于议论文来说，正反面要清楚，对于说明文来说条理要清楚，对于描述文来说，谁干什么要清楚。就拿上例Good health 来说，第一段保持正反面要清楚救应这样写：正面（With good health ,we can...），反面（Without good health ,we can do nothing .We can’t do...）
为了使文章更具有条理性，我们可以用first(ly) second(ly) third(ly)等副词，他们可以是文章的条例性更加突出。作文是主观题，想得告分就必须引起老师的主意，老师的时间很短（每篇作文只有一两分钟就要阅完），所以我们在列调试最好不用: To be with,... after that ,...And then, ... The next , ... The following , ... As last ... 。因为用这样的词语不利于老师看出你作文的条理性。
四 保证作文符合字数要求的十二句作文法
考生一般都希望作文达到字数而又不至于写得太多，因为写得太多一方面暴露自己语言上的弱点，另一方面又会占用过多的时间。写得太多还易跑题，一个有效的方法就是十二句作文法。
我们知道，四级作文都是三段式。我们算一下，如果我们在每一段中写上四句，即主题句加两三句扩展句和一个结论句就可以了。这样全片在十二句左右，每一句十多个词，就又120-150个字。大家可以试图找一些作文题练一练。
大学英语作文 篇6
leisure--an anachronism?
the other day i asked my nine year old younger brother what he liked to do for fun in his leisure time. he seemed to regard it as an odd question. "i don＇t actually have much leisure time." he said."homework,tennis lessons and piano lessons.., eat it all up. i have three piano lessons a week now."
i was startled. i used to consider it was only gown ups who were suffering from great pressure. now the modern competitive world seems to have worked on children alike. i do not think kids have as much fun as they used to. competition keeps getting in the way. leisure seems to have become a luury.
according to a recent survey, more than 80 percent of americans complain that they do not have the time to do what they really want to do, let alone enjoy the leisure time. it is a tragedy. we live in a constraint state, unable to pursue our interests.the so-called past pace of information society has made most people feel uncomfortable. computer, microwave, gimmicks and gadgets, all these appliances require far more complicated knowledge and techniques than ever before. and just to feel more secure about their relationship with technology, people make great efforts to follow the heels of the latest inventions, weary, reluctant and unhappy.
i know lots of people who avoid recreation because they lack the time or the energy.achievement is the national god, worshipped in our mediathe million dollar athlete, the wealthy ecutiveand glorified in our praise of possessions. in the presence of such a influential state religion, how can people ever "waste" their valuable time on taking up such "etravagance" as leisure when they could have learned or earned more during that period?
ambition, drive and the desire to ecel are all great within limits, but we should not allow them to be the whole story of our life.sometimes we should forget about doing best all the time, focusing on relaation, enjoyment, and health.for the purpose of not collapsing under enormous pressure, an occasional break from our daily routine is necessary. we can make stress work for us instead of against us.
大学英语作文 篇7
a lot of college students are preparing for the tofle or gre/gmet. some even begin to do so immediately after entering the univer sity. the effort of all this hard work is obviously to earn the chance to go to foreign countries for higher level studies.
that the developed countries can offer better educational environ ment may eplain such a phenomenon. we can＇t deny that in certain fields, our country is not quite good. other countries can help us to educate better scientific researchers. some students whose major is foreign languages are eager to improve their language skills in the native speaking country where there is a better study environment.
some students are forced to he abroad by parents who think in other coumries their children can be better educated and have more opportunities there or when they come back. it seems that there are always good positions for those students when they return from foreign countries.
for the above-mentioned reasons, many students want to pursue their further studies outside their motherland.
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